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Ludwig van Beethoven headed for Symphony No. 9 literally his entire life. As early as the 1790s, he had an eye on Ode to Joy, perhaps the most well-known poem by Friedrich Schiller, written on the threshold of the French Revolution (1786). In his mature and, in particular, later years, the deaf composer with an acute ‘hearing vision’ increasingly distanced himself from conventional forms and genres and wrote parts beyond the possibilities of instruments of his day. He nurtured the idea of a symphony with a choir for at least several years. The history of the Ninth’s interpretations includes 200 years of staggering revelations and lingering stagnation. Performed by the musicAeterna orchestra, choir, and guest soloists under the baton of Teodor Currentzis, Beethoven’s opus magnum acquires the original poignancy and energy of a recent discovery.

Amor inmortal

Hans Zimmer: Directo en Praga

TÁR

Olivia Rodrigo: GUTS World Tour

Köln 75

El último concierto

Les Misérables: 25th Anniversary in Concert

Encanto en el Hollywood Bowl

Sonrisas y lágrimas

Amadeus

Una Navidad mágica con Mariah Carey

ABBA: The Movie

Amadeus

Vom Suchen und Finden der Liebe
Carmen Torero z „Carmen-Suity”

Beethoven: The Piano Concertos

Once (Una vez)

Donde mueren las palabras

Ray

Keine Lieder über Liebe

Cuatro minutos

La panadera y el emperador

Children of Pleasure

Ludwig van Beethoven: Tripelkonzert op.56