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The theatre as a courtroom, the courtroom as a theatre. Alejo Moguillansky’s film draws loosely on Raúl Quirós Molina’s El pan y la sal (The Bread and the Salt), a 2015 verbatim theatre piece compiled from the testimonies provided during the 2012 trial of Judge Baltasar Garzon, for investigating the forced disappearances of the Spanish Civil War and the Franco regime. Juxtaposing the testimonies of the relatives of those who lost loved ones with references to Argentina’s and Chile’s recent dictatorships, this film explores issues around international law and forced disappearance - tracing a line between Francisco Franco, Augusto Pinochet and Jorge Videla’s Military Junta: Garzón has investigated Argentine torturers and criminal perpetrators and had Pinochet arrested in London in 1998 for crimes against humanity.

Argentina 1985

Confirmation

Desbocado

Marshall

Las 13 rosas

Rubia, sexy, alta

La virgen roja

Rebound: The Legend of Earl 'The Goat' Manigault

¿Vencedores o vencidos? (El juicio de Núremberg)

Sospechoso

Zama

Todo el día y una noche

Les gens du Nord

Salvador (Puig Antich)

La herencia del viento

La gran Lillian Hall

Sospechoso

Frères

Romeo and Juliet

Con su propia justicia

Oppenheimerin tapaus

Dinero para quemar

Legítima defensa, de John Grisham

El cielo... próximamente