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Set in the mid-1950s when Tangier was still an international zone, El Chergui presents the city on the eve of its independence, as Aïcha resorts to magical practices to try to prevent her husband from taking a second wife. Around her, a society of women creates its own form of active resistance even as the larger independence movement grows around it. Through his unique use of montage, Smihi creates arresting images that present a society torn by the contradictions of colonialism, religion, patriarchy, and resistance. (Block Cinema)

Salomé

Fingers, ataque terrorista

I Still Hide to Smoke

El hombre que vendió su piel

Senderos de la mente

El Chicano

Sky

Holy Lands

Una árida estación blanca

Come Sunday

Bastard Out of Carolina

El padre: La venganza tiene un precio