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With the help of his assistant Anja, Ottocaro Weiss intends to put the plague on stage: circumstances beyond his control and a lack of fresh talent have forced him to close down his flea circus. For Weiss, the plague means the «extinction of everything that makes life miserable and low and freedom along with it. Unbeknownst to him, he has won the support of a patron who is of the exact opposite opinion: for Johannes Wagner, the plague is an organising principle, and, aided by his agent Moosbrugger, he is able to smuggle a new number onto the programme. Whereas Ottocaro Weiss means to represent the plague theatrically, what appears on stage is the scientific reality of the rat-borne infestation.

Rey Lear

Mentira Piadosa

El partido de sus vidas

La batalla del año

A ciegas

Victor Frankenstein

El gran showman

El almuerzo desnudo

La amabilidad de los extraños

El fabuloso mundo del circo

American Son

Fragmentos

Gawaahi

El último hombre... vivo

Mucho ruido y pocas nueces

Gotas de agua sobre piedras calientes

Trenck, der Pandur

Der träumende Mund
27 Wagons Full of Cotton

Hedda

Cabaret

The Eccentricities of a Nightingale

Two Kinds of Women

Magnolias de acero