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Offenbach’s mockery of bourgeois ideals, the sublimity of music and the institution of marriage ensures that the moralistic sermonizing of ‘Public Opinion’ falls on deaf ears. The mysterious figure of John Styx tells the story of behind-the-times Orpheus and his hacked-off Eurydice, of gods and goddesses seeking diversion, jaded with humdrum life in Olympus. He tells of the rebellion in the pantheon, which Jupiter adeptly averts by promising an amusement for his entourage. Burning with curiosity to see the beauteous captive and the contest between Jupiter and Pluto for Eurydice’s favour, the illustrious company embarks on an infernal ride to the underworld that culminates in what is surely the most wellknown can-can in the history of music. And what of Eurydice? She ends up putting a spoke in everyone’s wheel…

The Rutles: All You Need Is Cash

Hay lío con Victorious

El retorno de los magos: Alex vs. Alex

iCarly va a Japón

El maravilloso mundo de Disney presenta: ¡La sirenita en directo!

Spin

Los Picapiedra en un Cuento de Navidad

Sneakerella: Cenicienta en zapatillas

Teen Beach 2

¡Menuda momia! 2

El delirante mundo de los Feebles

Psych 3: This Is Gus

The Metropolitan Opera: Die Zauberflöte

The Metropolitan Opera: Porgy and Bess

Giacomo Puccini - Il Trittico

Weber: Der Freischütz

Les Contes d'Hoffmann - Teatro Regio di Parma, 1988

Falstaff

Los Cuentos de Hoffman - Compañía Nacional de Ópera (INBAL)

Royal Opera House: Turandot

The Royal Ballet: The Nutcracker

Don Giovanni

Opéra National de Paris : Castor et Pollux de Jean-Philippe Rameau

Hunter's Bride