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[Here] Pollet made a work that is the very definition of what French critics like to call an ovni or ufo (as in ‘unidentified filmic object’). [It] has been described as being ‘like a comet in the sky of French cinema,’ an ‘unknown masterpiece,’ and an ‘unprecedented’ work that refuses interpretation even as it has provoked reams of critical writing. Its rhythmic collage of images – a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida – is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel’s score holds the film’s elements together. At first viewing, you fear that [it] might fly apart into incoherent fragments. Instead, over the course of its 45 minutes it invents its own rules, and you realize you’re watching something like the filmic channeling of an ancient ritual.

Varda por Agnès

Lionel Messi: Destiny

The Class of ‘92

Looking for Richard

Tío Yanco

Mea Maxima Culpa: Silence in the House of God

Seducidos y abandonados

Tupac: Resurrection

Líbranos del mal

Corazon de Perro

Love, Marilyn

En el camino, de cuando en cuando, vislumbré breves momentos de belleza

Berlín: Sinfonia de una gran ciudad

¿Quiénes fueron los etruscos?

Running Fields II

Tú solo
Elba - Italiens Trauminsel im Mittelmeer

Machete Gillette... Mama

Wealth of a Nation

悪魔の回路図

Herida De Piedra

Artémis et la mort

Bauhaus 100

60 Sekundit Üksindust Aastal Null