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American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

La casa

Heavy Traffic

Mad God

El pato Lucas: Pato aturdido

Los mejores cortos de Pixar: Volumen 1

Es hora de viajar

Kung Fu Panda: Los secretos de los maestros

Destino

El Flautista de Hamelín

El gato se gana el zapatazo

Los Tres Cerditos: El Lobo Feroz

Bob Esponja presenta: La zona intermareal

Fantasía

Aladdin

Kenya’s Symphony

Astérix y el golpe de menhir

La Cenicienta

Dumbo

El rey león 3: Hakuna Matata

Bruno the Kid: The Animated Movie

Jack-Jack ataca

La Cenicienta II: ¡La magia no termina a media noche!

Zootrópolis

Cool World (Una rubia entre dos mundos)