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Shot in Florence, the film draws on Leonardo da Vinci’s notebooks and Paul Valéry’s essay on da Vinci’s creative process to explore parallels between Renaissance space and the moving image. Beavers employs rapid pans and tilts along the city’s facades, interspersed with glimpses of his own face, linking camera movement to the filmmaker’s investigative gaze. The work marks a turning point in his practice, foregrounding presence and perception as central to his method. (Note: The film was re-edited and re-released in 1999.)

The Walking Dead: The Return

Obi-Wan Kenobi: El retorno del Jedi

Capturing Avatar

En el camino, de cuando en cuando, vislumbré breves momentos de belleza

Avatar: La creación del mundo de Pandora

Nuestro planeta: Tras las cámaras

Seducidos y abandonados

Juego de Tronos: La última guardia

Días peligrosos: Creando Blade Runner

Guillermo del Toro's Pinocchio: Handcarved Cinema

Interstellar: Nolan's Odyssey

The Skywalker Legacy

Nevermore Eleanor
The Red Bank. James Joyce: Ta τετράδιά του, των Ελληνικών

Who Is Bill Rebane?

In the Shadow of Hollywood: Race Movies and the Birth of Black Cinema

Muppet Guys Talking: Secrets Behind the Show the Whole World Watched

The Making of Ladies and Gentlemen, Fabulous Stains

Cinco condiciones

Heterodyne

Kronika Krysaře

Other Men's Careers

مهرجویی: کارنامه ۴۰ ساله

Before Hollywood There Was Fort Lee, N. J.