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A fairly shabby, dark, three-part wardrobe in a hallway: About ten years have passed since Joana Claude suffered sexual violence when it was assembled. Now the time has come to not only disassemble it. Instead, Joana sets out to destroy the artefact of pain completely. The gesture is made with fervour, tearing out the shelves and doors looks like retroactive resistance, what was pent up finds an outlet. At the same time, the ritual is characterised by gradual escalation: At first the director speaks of her relationship with her parents – a big sweat stain on her back already beginning to show –, in the end everything is in flames. The act is short, it lasts only a few minutes. And yet it allows an intimate insight that acquires a universal, strength-giving character as it unfolds.

Aquaman: Heroines of Atlantis

Naqoyqatsi

Anna Nicole Smith: Tú no me conoces

En el camino, de cuando en cuando, vislumbré breves momentos de belleza

Seducidos y abandonados

En la piel de James Bond, (The Daniel Craig Story)

Avatar: La creación del mundo de Pandora

Spider-Man: Todos los caminos conducen a No Way Home

The Class of ‘92

Joker: Put on a Happy Face

The Walking Dead: The Return

Mi mama Jayne: una película de Mariska Hargitay

The Beauty President

Temporada de Caça

Campamento Valentía

30 Years of the Film Foundation: Martin Scorsese and Ari Aster in Conversation

I'll Never Forget the Last Time

Syllable on the Ending

More Dangerous Than Dynamite

Post New Bills: The Story of Green Patriot Posters

HEAST

Bald: The Making of 'THX 1138'

Memory of the Camps

The Tower of Babel