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Anna, an artist, is obsessed with the invasion of alien doubles bent on total destruction. Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages: private with public spaces; black & white with colour, still photographs with video, earsplitting sounds with disruptive camera angles. Anna uses her body like a map; after a devastating quarrel with her lover, she paints red stitches on herself. Watching their scenes together, we realize how seldom, if ever before, the details of sexual intimacy have been shown in film from the point of view from a woman. Export privileges rupture over unity and never settles for one-dimensional solutions

Ángeles de hierro

Lucky Them

Call Me Crazy: A Five Film

La verdad sobre Emmanuel

The Girl in the Book

Strange Weather

Hellion

I Believe in Unicorns

La seguridad de los objetos

Bastard Out of Carolina

Hambre al límite

Rubia, sexy, alta

Bump in the Night

Substance

Пiсня пiсень

Hallesche Kometen

Le Fils du requin

Portrait d’une jeune fille de la fin des années 60 à Bruxelles

U.S. Go Home

De eso no se habla

Great Moments in Aviation

M wie Martha

The Company of Strangers
Como alas al viento