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Because his style was similar to that of Yasujiro Ozu, who was already active at Shochiku, he moved to PCL (currently Toho) in 1933, where he appeared in the talkie works "My Wife, Like a Rose" and "Tsuruhachi Tsurujiro." It got attention. There were times when he was unable to make as many films as he wanted due to wartime film regulations and post-war Toho disputes, but in 1951 he revived his career with Meshi. Since then, he has released masterpieces one after another, including "Okaasan," "Lightning," "The Couple," "Wife," "Anii Mouto," "Sounds of the Mountain," and "Bangiku." The pinnacle of his work, "Floating Clouds," is Kenji Mizoguchi's "Wife." Even director Ozu was impressed, calling it a masterpiece of Japanese cinema, on par with "The Sisters of Gion." He depicted ordinary people in everyday life with an everyday realism that was not influenced by lyricism, and he consistently sought out women as his subjects.

El reino de los sueños y la locura

En el camino, de cuando en cuando, vislumbré breves momentos de belleza

Hitchcock/Truffaut

Never-Ending Man. Hayao Miyazaki

To Be Takei

Corazon de Perro

Mifune: The Last Samurai

Me amarán cuando esté muerto

Líbranos del mal

In the Realms of the Unreal

The Class of ‘92

Finders Keepers

Cecil B. DeMille, l'inventeur du blockbuster

Godard Cinema

Japanscope, panorama de la nouvelle Nouvelle Vague

Pesadilla en Elm Street: Desde dentro

Spielberg

High Noon on the Waterfront

Directed By Blake Edwards

50 años de Tiburón

Martin Scorsese: Hollywood a la italiana

The Mythology of Star Wars

Film balkonowy

石井輝男 FAN CLUB