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A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.

Bienvenidos a Chechenia

Alone in the Wilderness

Ex Libris: La Biblioteca Pública de Nueva York

We Live in Public

Baraka

Disclosure

Una canción de amor para Latasha

Corazon de Perro

El último taller de instrumentos

La marcha de Sherman

Ascension

Naqoyqatsi

Queer Japan

れいわ一揆

Trabajo forzado: el SOS de un prisionero chino

Keyboard Fantasies

Redefining China's Family: Women

Into Light

Polonia: ¿zona libre de LGTBI?

Film balkonowy

TDS, derrière l'écran des Travailleuses Du Sexe

In France with Madonna

Kenya

Scotty y los secretos de Hollywood