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For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.

Daft Punk Unchained

Happier Than Ever: Una carta de amor a Los Ángeles

Mi mama Jayne: una película de Mariska Hargitay

Justin Bieber: Believe

Stop Making Sense

Avicii: True Stories

Naqoyqatsi

Katy Perry: Part of Me

The Wrecking Crew

OLIVIA RODRIGO: driving home 2 u (a SOUR film)

The Bee Gees: How Can You Mend a Broken Heart

Piece by Piece
Ich will da sein - Jenny Gröllmann

La Fille du cratère

Signale aus der Schwäbischen Straße

Les Nouveaux croisés d'Orient (ou Portrait d'un mercenaire français)

Sylvie Vartan, vous et moi

Drei Frauen

Lio

Danielle Mitterrand, une certaine idée de la France

Coluche, la véritable histoire d'un mec

Peter Eisenman: Building Germany's Holocaust Memorial

Je m'appelle Régine et je vous emmerde !

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