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Finding the right librettos was not easy, but one month after the end of the First World War, his triptych – the grim tragedy Il tabarro, the lyrical and sensitive Suor Angelica, and the comedy Gianni Schicchi – premiered in New York. Three different eras, three different settings, three different ‘colours’; though for Puccini, it is through the contrasts between them that the unity of the work is revealed. For his second time directing at La Monnaie, Tobias Kratzer preserves the original order of the pieces, while weaving them together to form a narrative whole, like a circle with no end. With a cast of artists from the extended La Monnaie family, Alain Altinoglu is the ideal conductor to meet the daunting challenges posed by this triptych.

Don Giovanni

Hounddog

Una noche en la ópera

Un talento increíble

Los cuentos de Hoffmann

Ensayo de orquesta

Justin Bieber: Believe

Primavera

El último vals

El Bar Coyote

Taylor Swift: Reputation Stadium Tour

Hollywood, Hollywood

Verdi La Traviata

Adolphe Appia le Visionnaire de l'Invisible

Amadeus

The Metropolitan Opera: Medea

The Metropolitan Opera: Die Zauberflöte

The Metropolitan Opera: Manon

The Metropolitan Opera: The Magic Flute

The Metropolitan Opera: Porgy and Bess

Turandot

La Bohème

აბესალომ და ეთერი

The Metropolitan Opera: Don Giovanni