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Travelling between Germany, France, and Tunisia, Viola Shafik reconstructs and deconstructs the unknown life story of El Hedi Ben Salem through interviews with his companions and family members as well as archival material. With openness and slight naivety, the interviewees explain how “Ali” became an oriental object of projection for the Fassbinder group, while El Hedi Ben Salem, the human being, was overlooked in order to establish the foreigner as “other.” A no-frills examination of a piece of German and Munich film history.

Corazon de Perro

Love, Gilda

Love, Marilyn

To Be Takei

Iverson

In the Realms of the Unreal

Harry Dean Stanton: Partly Fiction

En el camino, de cuando en cuando, vislumbré breves momentos de belleza

The Crash Reel

I Am Ali

Líbranos del mal

Making 'The Shining'