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Searching for life in daily rituals, Losing Touch undertakes a shift in perception and presents the city as an ugly yet ecologically rich landscape. The film depicts the internal dialogue on coping with the grief and fear of ecological degradation, using the local streets of Berlin as a means to materialise and confront these emotions. As both the body and mind begin to wander, encounters with the landscape over a 24 hour period are transformed into an overstimulating and emotionally charged journey. Camcorder footage, film developed in beer and cyanotype create sensational and playful depictions of the surroundings, joining the rats scurrying on the ground and fleeing the night lights with the moths. Creatures of metal and flesh interact within and between the frames, coming together as an ugly yet vibrant community. Subverting the nature-culture dichotomy, a new image of nature is formed, not only as a romantic, distant place, but rather a dirty, omnipresent force.

Koyaanisqatsi

¿Quién es Carlitos?

Naqoyqatsi

Symbiopsychotaxiplasm: Take One

Interstellar: Nolan's Odyssey

Aquaman: Heroines of Atlantis

Capturing Avatar

En el camino, de cuando en cuando, vislumbré breves momentos de belleza

Una última aventura: Así se hizo 'Stranger Things 5'

Fuck

Powaqqatsi

Un océano de plástico

Лиса, бобёр и другие

Printemps Now!

КАК ЗЕМЛЕТРЯСЕНИЕ

Explorer: Lago de fuego
Dantes Traum von der Hölle

We Drink Too Much

We Eat Shit

Da Sala ao Cinema à Rua
Together in the Weather

Chernobyl: 35 años después

Der Wind - Motor des Klimawandels

El animógrafo, o Nací en una caja de zapatos