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Marlon E. Fuentes' Bontoc Eulogy is a haunting, personal exploration into the filmmaker's complex relationship with his Filipino heritage as explored through the almost unbelievable story of the 1,100 Filipino tribal natives brought to the U.S. to be a "living exhibit" at the 1904 St. Louis World's Fair. For those who associate the famous fair with Judy Garland, clanging trolleys, and creampuff victoriana, Bontoc Eulogy offers a disturbing look at the cultural arrogance that went hand-in-hand with the Fair's glorification of progress. The Fair was the site of the world's largest ever "ethnological display rack," in which hundreds of so-called primitive and savage men and women from all over the globe were exhibited in contrast to the achievements of Western civilization.

En el camino, de cuando en cuando, vislumbré breves momentos de belleza

John Candy: Yo me gusto

The Class of ‘92

Seducidos y abandonados

Fuck

Naqoyqatsi

La marcha de Sherman

Cuando caiga la noche

En la piel de James Bond, (The Daniel Craig Story)

Spider-Man: Todos los caminos conducen a No Way Home

Finders Keepers

Sidney Poitier

The History of White People in America: Volume II

Wildgnorance 2: Time Paradox

Az igazi Mao

Dead for a Living

Inocentes

The Key Issue

Movida en el Polo

Sliktie dzīvnieki

Faces of Death III

Nobody Wants Your Film

The Life of a Rock Smasher

Timetravel_0