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For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty

Life in a Day

The Metamorphosis of Birds

Deliver Us from Evil

Elena

Van Gogh: Painted with Words

Seven Up!

42 Up

Fuck

McQueen

Seduced and Abandoned

The Show Must Go On: The Queen + Adam Lambert Story