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The documentary details the 'Pulped Fiction' project by British visual artist David Shrigley, who has produced a limited run of 1,250 copies of George Orwell's dystopian novel 'Nineteen Eighty-Four' made entirely from the pulped remains of unwanted copies of 'The Da Vinci Code'.

Seduced and Abandoned

Evil Influencer: The Jodi Hildebrandt Story

Looking for Richard

Fuck

Night Will Fall

A Plastic Ocean

John Candy: I Like Me

National Gallery

No Half Measures: Creating the Final Season of Breaking Bad

Beyond Infinity: Buzz and the Journey to Lightyear

The Class of ‘92

Maternal Instinct

Roundabout Art

The Grim & The Dark

Brent Houzenga: Hybrid Pioneer

Drawing the Line: A Portrait of Keith Haring

Kaarel Kurismaa. The Limits of Timelessness

Art and the Cold War. Esthetic Resistance

The Warhol Effect

Night Flight: Born Again

The Lowdown on Lowbrow

Jim Dine
Gloss and Grit: The Man Who Made Art Pop

Under The Tit