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Anna, an artist, is obsessed with the invasion of alien doubles bent on total destruction. Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages: private with public spaces; black & white with colour, still photographs with video, earsplitting sounds with disruptive camera angles. Anna uses her body like a map; after a devastating quarrel with her lover, she paints red stitches on herself. Watching their scenes together, we realize how seldom, if ever before, the details of sexual intimacy have been shown in film from the point of view from a woman. Export privileges rupture over unity and never settles for one-dimensional solutions

Iron Jawed Angels

Lucky Them

The Truth About Emanuel

Hellion

Strange Weather

The Girl in the Book

Bastard Out of Carolina

Hounddog

Call Me Crazy: A Five Film

I Believe in Unicorns

TalhotBlond

Starving in Suburbia