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“Phantasmapolis: Looking back to the future” is the video art program of the Asian Art Biennale 2021 curated by Anushka Rajendran.
Angela Su’s fictional artist Rosie Leavers is the last remaining person to upload her consciousness to a video game. Contemplating during a pandemic year which also saw people’s resistance movements in many parts of the world, the work pinpoints the uncanny affinities between gaming and warfare strategies. They have mutually informed the infrastructure of both worlds since time immemorial when diplomatic conflicts played out on the battlefield of the 64 squares of a chess board to flight simulation technologies which were adapted to shape gaming experiences as we know it now. When the conflict is between the state and its people, she speculates that gaming strategies empower civilians in resistance movements to counter imperialism through its own operative logic. But once we upload our consciousness, are we able to return to the sensibilities and political motivation that inspired the revolution to begin with?

Why We Fight: Prelude to War

Being James Bond

Looking for Richard

A Love Song for Latasha

A Plastic Ocean

EPiC: Elvis Presley in Concert

The Matrix Recalibrated

Above Majestic

My Mom Jayne

Queen of Chess

Video Games: The Movie

Side by Side
The Red Bank. James Joyce: His Greek Notebooks

Punitive Damage

The Making of Oblivion
I skuggan

Checkpoint Zoo

the post-feminist dissonance project
Bohemia Docta or the Labyrinth of the World and the Lust-House of the Heart (A Divine Comedy)
Jean Moulin, Klaus Barbie, the justice of history
Street Games

Nintendo Quest

Il n'y aura jamais assez d'images

Tsahal, l’armée israélienne à l’épreuve