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"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

Fuck

Heart of a Dog

Feminists: What Were They Thinking?

The War Room

Nothing Like a Dame

To Be Takei

Girl Rising

Cameraperson

Miss Representation

My Mom Jayne

Naqoyqatsi

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty

Adriana's Pact

Chavela

Queen of New York

Butch Jamie

Iverson

Prince Consorts: In the Shadow of the Crown

The Death of Hitler: The Story of a State Secret

Afghan Star

No Ordinary Life

Yellow Fever

The Age of Stupid

Zaineb Hates the Snow