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In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze.

To Be Takei

Heart of a Dog

Harry Dean Stanton: Partly Fiction

Love, Marilyn

Love, Gilda

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty

Iverson

Cameraperson

I Am Heath Ledger

Feminists: What Were They Thinking?

Love, Antosha

Casting By

The Good Son

Served Like a Girl

The Untold Tales of Armistead Maupin
Angano... Angano... Tales from Madagascar

Kurosawa's Way

Jakub

Win By Fall

The Occupation of the American Mind

Kim Dotcom: Caught in the Web

Pornocracy: The New Sex Multinationals

The Man Who Made Angels Fly

The Battle of The Alamo