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A 15 part film featuring scenes from Xianghe, running from the mundane to the surreal: people parade in opera costumes, slaughter pigs in public and dine on the fields; they bury the dead and get married, tickling the bride and groom, everything done without speech. Sitting somewhere between intimate personal reels and detached ethnographic records, the work creates a simultaneous sense of immersion and distance – of the type you might associate with end-of-life flashbacks. Yang gives nostalgia a fantastic, mystical bent, as if to suggest that to revel in memory is a creative act.

Monte Grande: What is Life?

Hugo Koblet - The Charming Cyclist

The Congress of Penguins

The Paris Opera

Offshore: Elmer and the Swiss Bank Secrecy

Exit: The Right to Die

Von heute auf morgen

Remue-ménage

The Top of His Head

Namibia Crossings

Variations on Iserois Landscapes

The Afterlife