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Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; additionally, the use of dissolves as transitions in it influenced other filmmakers for years to do the same. Méliès was the cinema world's preeminent leader then. By 1912, however, that was no longer the case; frankly, as evidenced by this feature, his style had become dated. Moreover, Méliès had begun to adopt techniques from other filmmakers, such as direct cuts instead of dissolves, and there's even a match on action shot during the slipper trying-on scene.

The Kingdom of the Fairies

FairyTale: A True Story

Sofia the First: Once Upon a Princess

Hansel and Gretel

Wonderstruck

The Shepherd

Sarah's Oil

Pinocchio

Snow Queen

Girl in the Box

Mansfield Park

The Witcher: Sirens of the Deep

Little Peach

Fujimi Orchestra: Cold Front Conductor

Forrest Gump

Metropolis

Chorabali

But the Flesh is Weak

The Rhythm of Crime

Flame and the Flesh

Assignment Redhead

Squandered Sunday

The Block Signal

That Instant, That While