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A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

Joker: Put on a Happy Face

Spider-Man: All Roads Lead to No Way Home

Being James Bond

One Soldier's Story: The Journey of American Sniper

The Class of ‘92

Naqoyqatsi

Seduced and Abandoned

Extremis

Gilbert

My Mom Jayne

Lionel Messi: Destiny

Heart of a Dog