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In this film, Sara Gómez documents the everyday life of the Isla de Pinos, the discussions about the problems of construction, the school and the leisure activities of the youth in 1968 and contextualizes these images with Frantz Fanon's thoughts about the construction of a nation through decolonization.

To Be Takei

Love, Marilyn

Harry Dean Stanton: Partly Fiction

We Live in Public

Tricked: The Documentary

In the Realms of the Unreal

Heart of a Dog

Love, Gilda

Seduced and Abandoned

Money Heist: The Phenomenon

Girl Rising

The Class of ‘92