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Orson Welles presents a proposed film project to prospective investors in Spain. Speaking to an audience of wealthy arts patrons, Welles outlines his vision for an improvised, documentary-style fiction set in the world of bullfighting, centered on a solitary, existential matador who stands apart from his peers. As he expounds on cinema, performance, and the ritualized spectacle of death, the film captures a project that would ultimately remain unrealized.

Being James Bond

The Class of ‘92

Finders Keepers

Lionel Messi: Destiny

Long Shot

Tread

Naqoyqatsi

Wick Is Pain

Fuck

Seduced and Abandoned

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty

Heart of a Dog

El cuarto round

Waiting Room

The Sea Stares at Us from Afar

John Ford Goes to War

Oso

Out of the City

Yo soy Arturo Fernández

Registros Fatais 3: Apocalypse

Las Toreras
So I Sleepwalk in Broad Daylight

In the Shadow of Hollywood: Race Movies and the Birth of Black Cinema

Straight Stories, Part 1