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From a set of photographs found in a thrift store, Geiser creates a liminal space between representation and abstraction, figure and landscape, fiction and memory. ARBOR suggests the fragility and ephemerality of memory and its artifacts through subtle manipulations of the photographs: reframings, layerings, inversions, and the introduction of natural elements, including flowers and leaves. The photographs’ subjects rarely engage the camera; they are glimpsed, rather than seen. They look elsewhere, and wait for something inevitable. Gathering on a hillside, lounging on the grass beyond now-lost trees, the inhabitants of ARBOR cycle through their one elusive afternoon, gradually succumbing to time or dissolving into landscape, reserving for themselves what we can’t know---and becoming shadows in their own stories.

Monster High: Welcome to Monster High

The Grandmother

Destino

The House

Far from the Tree

Competition

Dexter's Laboratory

Mad God

Kung Fu Panda: Secrets of the Masters

I Love to Singa

Canvas

Killer Bean Forever

Shrek

Winnie the Pooh: Seasons of Giving

Flash Gordon: The Greatest Adventure of All

The Prince of Egypt

The Pixar Shorts: A Short History

By Winds and Tides

Strange Beasts

The Wild Thornberrys Movie

A Day In LC

Peter & the Wolf

Spot and Splodge Plottspotting

100 Years