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Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

Visions of Light

Cameraperson

Kubrick by Kubrick

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty

Jodorowsky's Dune

Being James Bond

Mifune: The Last Samurai

Milius

Hitchcock/Truffaut

Seduced and Abandoned

Making Waves: The Art of Cinematic Sound

The Godfather Family: A Look Inside

James Dean

The Real Edie

Hi, How Are You Daniel Johnston?

The Man Who Was Too Free
Um Craque Chamado Divino

Les Grands Créateurs de Cinéma : René Clément

Moi, Magyd Cherfi : portrait intimiste d'un chanteur devenu écrivain

Emilie Busquant, an Algerian passion

Sidney Poitier: One Bright Light

Les Secrets des Animaux des Glaces

Cézanne au pays d'Aix

Zelenskyy: Spirit of Ukraine