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Feeling unfair about the power's portrayal of all its opponents, at the dawn of the '68 protests a young man decided to become a photographer to set things right. "Taking a good picture is a great act of faith". Tano D'Amico thus began a journey that would lead him to be at the forefront of the social battles of the 1970s: the birth of new movements, "the appearance on the threshold of history of a people who had never entered history", the hopes, illusions and betrayals. Tano still continues to photograph workers, the homeless, migrants, the last people and all those who take protest to the streets.

I Am Martin Parr

Old Thieves: The Legend of Artegio

Beyond the Beach: The Hell and the Hope

Inside Deep Throat

Stelvio: Crossroads of Peace
Alžběta

Chun

Between the Anvil and the Hammer

The Last Waltz

Man on Wire

The Way South

City of Baseball