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A drawing of an ancient bathhouse in a French travel book to the Middle East sparks a visual poem, inspired by the Arab poetry tradition of "standing by the ruins". The ambivalence of the five-hundred-year-old image gestures towards enduring capitalist and colonial power dynamics. Pleasure and pain, seduction and domination, archives and ruins, histories of sex, and histories of empire, all commingle in this essay film. What transpires is a web of visible and invisible threads where homosexuality in the Middle East today seems to be enmeshe

McQueen

Heart of a Dog

Tricked: The Documentary

Aquaman: Heroines of Atlantis

Seduced and Abandoned

Sherman's March

Fuck

The Godfather Family: A Look Inside

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty

The Class of ‘92

Being James Bond

Sidney